整理/秦珍子 制圖/董怡璇

和出于適

　　音樂(lè)的和諧來(lái)自音樂(lè)的適度及音樂(lè)與平和心靈的契合。“和”，和諧，首先指不同聲音之間的協(xié)調(diào)配合。“適”，適度，既指音樂(lè)本身高低、清濁的適度，亦指欣賞者對(duì)于音樂(lè)對(duì)象的適度接受。這一術(shù)語(yǔ)突出了音樂(lè)欣賞過(guò)程中作為客觀對(duì)象的音樂(lè)必須與主體心靈的和諧相一致，音樂(lè)美感是主客體和諧的產(chǎn)物。

Harmony Comes from Appropriateness

　　The harmony of music comes from its appropriateness and its concordance with the soul. "Harmony" refers to how different sounds are combined and attuned to each other. "Appropriateness" refers to the pitch and timbre of the music itself, as well as to the degree to which the listener can accept the music. This term highlights the need for harmony and accord between the object-music and the subject-the soul, in order for music to be appreciated. The beauty of music is generated by harmony between the subjective and the objective.

引例

　　聲出于和，和出于適。（《呂氏春秋·大樂(lè)》）（音樂(lè)產(chǎn)生于不同聲音的協(xié)調(diào)配合，而和諧來(lái)自于與欣賞者心靈的契合與共鳴。）

　　Music comes from harmony, and harmony comes from appropriateness. (Master Lü's Spring and Autumn Annals)